Aoi Mori · travel photographs · 2016 to 2026
I wake before the sun and wait for the light.
Move the sun. Click to take a frame.
Drag the sun. Tap the sky to take a frame.
One day, eight places
From 05:05 in Lofoten to 23:40 in Iceland.
Scroll and the sun moves with you. Each photograph sits at the hour it was taken, under the sky it was taken in.

夜明け前第一話
Episode 1 · Before dawn
05:05
Reine, Lofoten, Norway
The village lights were still on. Twenty minutes of blue, then the snow went pink and it was over.
24mm · f/8 · 4s · ISO 100

夜明け前第一話
Episode 1 · Before dawn
05:05
Reine, Lofoten, Norway
The village lights were still on. Twenty minutes of blue, then the snow went pink and it was over.
24mm · f/8 · 4s · ISO 100

夜明け前第一話
Episode 1 · Before dawn
05:05
Reine, Lofoten, Norway
The village lights were still on. Twenty minutes of blue, then the snow went pink and it was over.
24mm · f/8 · 4s · ISO 100
日の出第二話
Episode 2 · Sunrise
06:00
Göreme, Cappadocia, Türkiye
A hundred balloons take off in the dark so they are up for first light. The sun clears the ridge and everything turns gold at once.
35mm · f/11 · 1/500 · ISO 200


日の出第二話
Episode 2 · Sunrise
06:00
Göreme, Cappadocia, Türkiye
A hundred balloons take off in the dark so they are up for first light. The sun clears the ridge and everything turns gold at once.
35mm · f/11 · 1/500 · ISO 200

日の出第二話
Episode 2 · Sunrise
06:00
Göreme, Cappadocia, Türkiye
A hundred balloons take off in the dark so they are up for first light. The sun clears the ridge and everything turns gold at once.
35mm · f/11 · 1/500 · ISO 200

朝第三話
Episode 3 · Morning
08:10
Fushimi Inari, Kyoto, Japan
At eight the path is still empty and the light falls through the gates in stripes. I walked it four mornings in a row for this.
35mm · f/4 · 1/125 · ISO 400

朝第三話
Episode 3 · Morning
08:10
Fushimi Inari, Kyoto, Japan
At eight the path is still empty and the light falls through the gates in stripes. I walked it four mornings in a row for this.
35mm · f/4 · 1/125 · ISO 400

朝第三話
Episode 3 · Morning
08:10
Fushimi Inari, Kyoto, Japan
At eight the path is still empty and the light falls through the gates in stripes. I walked it four mornings in a row for this.
35mm · f/4 · 1/125 · ISO 400
真昼第四話
Episode 4 · Midday
12:30
Oia, Santorini, Greece
Everyone says never shoot at noon. Santorini is the exception: white walls, blue domes and the sun straight overhead.
23mm · f/11 · 1/1000 · ISO 100


真昼第四話
Episode 4 · Midday
12:30
Oia, Santorini, Greece
Everyone says never shoot at noon. Santorini is the exception: white walls, blue domes and the sun straight overhead.
23mm · f/11 · 1/1000 · ISO 100

真昼第四話
Episode 4 · Midday
12:30
Oia, Santorini, Greece
Everyone says never shoot at noon. Santorini is the exception: white walls, blue domes and the sun straight overhead.
23mm · f/11 · 1/1000 · ISO 100

黄金第五話
Episode 5 · Golden hour
18:40
Pickup game, Bahia, Brazil
Every beach has a game at golden hour. I lay in the sand with a wide lens and waited for the overhead kick. He tried it eleven times.
16mm · f/5.6 · 1/2000 · ISO 200

黄金第五話
Episode 5 · Golden hour
18:40
Pickup game, Bahia, Brazil
Every beach has a game at golden hour. I lay in the sand with a wide lens and waited for the overhead kick. He tried it eleven times.
16mm · f/5.6 · 1/2000 · ISO 200

黄金第五話
Episode 5 · Golden hour
18:40
Pickup game, Bahia, Brazil
Every beach has a game at golden hour. I lay in the sand with a wide lens and waited for the overhead kick. He tried it eleven times.
16mm · f/5.6 · 1/2000 · ISO 200
夕焼け第六話
Episode 6 · Afterglow
19:06
Lake Kawaguchi, Japan
Fuji hides in cloud most evenings. This one cleared for nine minutes and the sky above it caught fire.
50mm · f/8 · 1/60 · ISO 200


夕焼け第六話
Episode 6 · Afterglow
19:06
Lake Kawaguchi, Japan
Fuji hides in cloud most evenings. This one cleared for nine minutes and the sky above it caught fire.
50mm · f/8 · 1/60 · ISO 200

夕焼け第六話
Episode 6 · Afterglow
19:06
Lake Kawaguchi, Japan
Fuji hides in cloud most evenings. This one cleared for nine minutes and the sky above it caught fire.
50mm · f/8 · 1/60 · ISO 200

黄昏第七話
Episode 7 · Twilight
19:40
Minato, Tokyo, Japan
Blue hour in Tokyo lasts about twenty-five minutes. The tower lights come on first and the sky catches up.
35mm · f/8 · 2s · ISO 100

黄昏第七話
Episode 7 · Twilight
19:40
Minato, Tokyo, Japan
Blue hour in Tokyo lasts about twenty-five minutes. The tower lights come on first and the sky catches up.
35mm · f/8 · 2s · ISO 100

黄昏第七話
Episode 7 · Twilight
19:40
Minato, Tokyo, Japan
Blue hour in Tokyo lasts about twenty-five minutes. The tower lights come on first and the sky catches up.
35mm · f/8 · 2s · ISO 100
星空第八話
Episode 8 · Starry night
23:40
Stokksnes, Iceland
Minus eleven, no moon, and the aurora came up over the mountains just before midnight. I stopped feeling my fingers around frame forty.
14mm · f/1.8 · 6s · ISO 1600


星空第八話
Episode 8 · Starry night
23:40
Stokksnes, Iceland
Minus eleven, no moon, and the aurora came up over the mountains just before midnight. I stopped feeling my fingers around frame forty.
14mm · f/1.8 · 6s · ISO 1600

星空第八話
Episode 8 · Starry night
23:40
Stokksnes, Iceland
Minus eleven, no moon, and the aurora came up over the mountains just before midnight. I stopped feeling my fingers around frame forty.
14mm · f/1.8 · 6s · ISO 1600
Light log
Most of this job is waiting.
1,486
Sunrises waited for
212
Clouded out
31
Countries
40
Beach football games joined
1,486
Sunrises waited for
31
Countries
212
Clouded out
40
Beach football games joined
1,486
Sunrises waited for
31
Countries
212
Clouded out
40
Beach football games joined
Contact
Send me somewhere worth waking up early for.
Commissions, prints and small workshops. I reply within two days, usually before sunrise.
hello@aoimori.example
Demo photographs from Unsplash
Aoi Mori is a fictional photographer. Hikari is a Framer template by Sanket Sonmali.
Aoi Mori is a fictional photographer. Hikari is a Framer template by Sanket Sonmali.